mr kiss kiss bang bang thunderball intro mi6

They risked repeating themselves, and, in truth, they did. Broccoli faced the conundrum of what to do next. With Thunderball, then, Harry Saltzman and Albert R. Just as it took the recent Daniel Craig reboot a full three films to bring all of its classic elements together, this too is how it all began. It gave us the classic Bond theme song courtesy Shirley Bassey, Pussy Galore and her judo, and Goldfinger and his laser beam it reveled in Q’s gadgets, including the iconic Aston Martin DB-5. With Goldfinger (1964) introducing a new director, Guy Hamilton, the series began to take itself a little less seriously, sacrificing logic for sheer entertainment. From Russia with Love (1963) was a classic espionage tale, improving upon its predecessor in every way, and truly bringing Ian Fleming’s writing to celluloid it also presented the idea of a title song (never mind that it isn’t sung over the opening titles – they’d fix that).

No (1962) established the character and the key concepts: exotic location, girls, supervillain.

Consider that you don’t really need more than the first three James Bond films. No, my reviews of From Russia with Love and Goldfinger were posted last year), it really strikes me that it’s Thunderball, not George Lazenby, that marked Chapter Two for the Bond series. As I’ve been working my way through the films for the umpteenth time (in case you’re wondering why I skipped ahead from Dr. What those imitations could not match was the execution: the style, the quality, the sly humor, the scale. The series was now a brand, so appealing in the formula that copycats and parodies emerged from all sides. Although Bond was getting bigger all the time, and Thunderball (1965) was the natural evolution, there passed a point where the films were not merely high-profile adaptations of Ian Fleming bestsellers.

Mr kiss kiss bang bang thunderball intro mi6